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Publication Date: 2016-01-01
How to Cite
Del Castillo Silva, C. . (2016). Small format performance processes : ferocious, a clown tragedy. Revista Colombiana De Artes Escénicas, 10, 142–150. Retrieved from https://ucaldas.metarevistas.org/index.php/artescenicas/article/view/37
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Abstract
This article analyzes the methodological and somatic aspects of a creative process where the roles of authorship, production and acting are performed by the same person. It is an aftermath reflection in first person that is based on an auto ethnographic process, it proposes strategies for small format creations. The piece “Ferocious, a clown tragedy” is a one woman show that was written in an artistic residency in Scotland and produced in Colombia, it explores the theme of human trafficking in the language of clown.
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References
Barba, E. (2010). Burning the House, On Directing and Dramaturgy. New York: Routledge.
Ellis, C. (2004). The Etnographic I. A methodological Novel about Autoethnography. Altamira Press.
Nachmanovitch, S. (1990). Free play: improvisation in life and art. 1st ed. New York: Jeremy P. Tarcher.
Pinkola, C. (2004). Mujeres que corren con los lobos. Barcelona, España: Editorial Byblos.
Schechner, R. (2002). Performance Studies: an introduction. London: Routledge.
Ellis, C. (2004). The Etnographic I. A methodological Novel about Autoethnography. Altamira Press.
Nachmanovitch, S. (1990). Free play: improvisation in life and art. 1st ed. New York: Jeremy P. Tarcher.
Pinkola, C. (2004). Mujeres que corren con los lobos. Barcelona, España: Editorial Byblos.
Schechner, R. (2002). Performance Studies: an introduction. London: Routledge.
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